Abstract
When the Spanish viceroy Antonio de Mendoza first visited Michoacán, Mexico (about 1539), he commissioned a Franciscan friar to record the indigenous customs of the region. The friar, together with local native nobles and artists, produced the illustrated manuscript known as the "Relación de Michoacán." One of these indigenous artists transformed the European Tree of Jesse, a motif depicting Christ's genealogy, to represent the local indigenous noble family. Such an act of mimicry and appropriation allowed the artist to represent the native nobles as the rightful rulers of Michoacán and to communicate this conviction to the manuscript's colonial audience.
Original language | English (US) |
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Pages (from-to) | 293-307 |
Number of pages | 15 |
Journal | Art Bulletin |
Volume | 92 |
Issue number | 4 |
DOIs | |
State | Published - Dec 2010 |
Externally published | Yes |
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- History